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(With a brief history of the Roman Mandolin from Maldura-De Santis to Embergher)
A complete list of mandolin patents filed in Italy up to 1930, taken from official and original documents.
The first and most important patent is the one of Maldura, which is also about the “invention” of the modern Roman Mandolin.
Full size drawing of a mandolin made by Luigi Embergher – mod. 5bis – 1921 (2 sheets, 70×100 cm).
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Notes for an organological (and musical) identification.
The Cremonese or Bresciano mandolin and the Tuscan mandolin are often confused with each other, although they are actually quite distinct from the organological and therefore also from the musical point of view…
News about Embergher’s workshop in Rome between 1893 and 1937 from the time’s yearbooks.
The first period of Luigi Embergher’s activity in Rome, after coming from Arpino, as well as the year this activity began and the list of addresses he changed, are often treated in a contradictory way by different sources, even recently, and until today there is no serious and documented filing work to support a reliable reconstruction.
A new iconographic source, a new hypothesis of philological reconstruction
About “colascione” it has been written so much, but less we know certainly concerning to executive procedure; equally less known is the use of “colascioncino” – the smallest instrument of the family – and “Cremonese” or “Bresciano” mandolin, of which few written music has come there only, to forehead of reliable historical traces, about a very diffused use between the XVIII and the beginning of the XIX century.
Full size drawing of a mandolin made by Giovanni De Santis – 1888 (2 sheets).
Full size drawing of a mandolin made by Luigi Embergher – mod. 3 – 1932 (4 sheets).
Full size drawing of a “quartino” mandolin made by Luigi Embergher – mod. 5bis – 1926.
Full size drawing of a mandocello made by Luigi Embergher – mod. 5bis – 1927 (2 sheets).
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